Description

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In Shanghai in the early twentieth century, a hybrid theatrical form, wenmingxi, emerged that was based on Western spoken theatre, classical Chinese theatre, and a Japanese hybrid form known as shinpa. This book places it in the context of its hybridized literary and performance elements, giving it a definitive place in modern Chinese theatre.

About the Author

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Siyuan Liu is an assistant professor in the Department of Theatre and Film at the University of British Columbia, Canada.