Description

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A fascinating study of one of the often overlooked World War II campaigns as British/Commonwealth, Indigenous and Italian forces battled for control of the Horn of Africa.

In mid-1940, Italy's East African colonies posed a significant threat to the British Empire, and in particular to the flow of supplies through the Red Sea to Egypt. British High Command feared moves from Italian East Africa and so sent reinforcements to its positions in Kenya and Sudan. Thus began a series of clashes across East Africa, with the British attempting to keep the Italians isolated and unable to threaten British supply lines. In March 1941, British theatre commander General Archibald Wavell opted for a lightning campaign to eliminate the Italian threat for good.

Italian military historian Pier Paolo Battistelli provides a fresh account of this campaign, from the initial Italian attacks to the Allied counter-offensive into Eritrea, Ethiopia and Italian Somaliland. Among the actions covered are Addis Ababa, Amba Alagi, Gondar, Tug Argan, and Keren. This work presents an assessment of the forces involved of both sides, including Orde Wingate's Gideon force, pro-Selassié Ethiopian irregulars and Eritrean and Somalian troops, as well as Indian, South African, British and Italian regular forces. With colourful artwork, detailed maps and diagrams, this book highlights an overlooked World War II campaign and the bloody fight for the Horn of Africa.

About the Author

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Pier Paolo Battistelli earned his PhD in Military History at the University of Padua. A scholar of German and Italian politics and strategy throughout World War II, he is active in Italy and abroad writing books and essays on military history subjects. A contributor to the Italian Army Historical Office, he is currently revising his PhD thesis for publication: The War of the Axis: German and Italian Military Partnership in World War Two, 1939-1943.

Johnny Shumate works as a freelance illustrator living in Nashville, Tennessee. He began his career in 1987 after graduating from Austin Peay State University. Most of his work is rendered in Adobe Photoshop using a Cintiq monitor. His greatest influences are Angus McBride, Don Troiani, and Édouard Detaille.