Description

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Germany has imposed an upper limit on the number of asylum seekers, and Europe's borders are closed. Beyond the Sahara, huge camps have been built for millions of people who have no choice but to wait. They have been waiting so long that they could have walked to Europe by now... if it didn't spell certain death.
When German model and TV star Nadeche Hackenbusch visits the largest of the camps with a camera crew, young refugee Lionel recognizes a unique opportunity: to use the media attention to organize 150,000 refugees to set off on a march to Europe.
The viewing ratings are off the scale! and advertising money pours in. But Germany's politicians only look away helplessly. As the convoy moves closer, through Jordan and Syria and into Turkey, interior minister Joseph Leubl faces his greatest challenge yet and two urgent questions: What do we do now? And what kind of country do we want to live in?

Giving readers exactly what they loved about Look Who's Back, this new book is explosive, radical and full of Timur's trademark wit. Timur pulls no punches and aims directly where it hurts the most. This book that will have enthusiastic fans and bitter opponents. But we can promise that it will leave no one indifferent.

About the Author

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Timur Vermes is the son of a German mother and a Hungarian father who fled the country in 1956, Vermes was born in Nuremberg in 1967. He studied history and politics and went on to become a journalist. He has written for the Abendzeitung and the Cologne Express and worked for various magazines. He has ghostwritten several books since 2007. He is the author of Look Who's Back, an international bestseller that was made into a movie by Netflix.
ABOUT THE TRANSLATOR: Jamie Bulloch's translations include Ruth Maier's Diary, Portrait of a Mother as a Young Women by F. C. Delius, and novels by Paulus Hochgatterer and Daniel Glattauer.

Praise For…

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Praise for Look Who's Back
"You know his name. You know his face. You know his hair and mustache, which are caricatured with sharp, witty minimalism on the cover of Look Who's Back, in which a baffled Adolf Hitler is returned to the even more baffled German people. Now you'll also know Timur Vermes, whose debut novel has created a sensation in Germany. [Look Who's Back] is desperately funny . . . Mr. Vermes has created an ingenious comedy of errors in which the jokes are either on Hitler's misapprehensions about the modern world or the modern world's refusal to take him at face value . . . Read this book."—Janet Maslin, The New York Times

"Very funny . . . The frisson of reading Look Who's Back comes from its seamless transition from Borscht Belt one-liners to disturbing invocations of the legacies of Nazi rule. Mr. Vermes gives us a bracingly double-sided Hitler-the arresting public speaker and astute negotiator who loves dogs and small children, and also the fanatical champion of political violence, global tyranny and ethnic cleansing . . . Translator Jamie Bulloch helps by providing a glossary at the close of the book, but what people will remember is his perfect rendering of the ridiculously orotund, yet oddly compelling, manner of Hitler's speechifying."—Sam Sacks, The Wall Street Journal

"Look Who's Back is Hitler satire at its best . . . while there has been much debate over whether or why it's appropriate to laugh at Vermes's relentless Hitler satire, this well-researched and uproariously cringe-worthy book makes it hard not to . . . It is ultimately a sort of commentary on Hitler's first ascent to power-on the point at which a charismatic man starts being taken seriously, and what that transition entails . . . laugh-out-loud funny."—Kira Bindrim, Newsweek

"[A] wickedly satiric first novel . . . Hitler is, of course, deadly serious, and the dissonance between his earnest bigotry and the vacuousness of our media-soaked age is the comic grist that propels the novel toward its truly ironic conclusion. While German journalist ­Vermes has a good deal to say about the state of contemporary Germany, his reach here is more universal, as he's crafted a sardonic send-up of a media and a world where the message doesn't matter so long as your ratings are high and your videos go viral on YouTube."—Library Journal