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Back to topArtSpoke: A Guide to Modern Ideas, Movements, and Buzzwords, 1848-1944 (Paperback)
Description
Chronicling international art from Realism through Surrealism, ArtSpoke explains such popular but often misunderstood movements and organizations as Impressionism, Post-Impressionism, the Salon, the Fauves, the Harlem Renaissance, and so on—as well as events ranging from the 1913 Armory Show to Brazil's little-known Semana de Arte Moderna.
Concise explanations of potentially perplexing techniques, media, and philosophies of art making-including automatism, calotype, found object, Pictorialism, and Readymade-provide information essential to understanding how artists of this era worked and why the results look the way they do. Entries on concepts that were crucial to the development of modern art—such as androgyny, dandyism, femme fatale, spiritualism, and many others—distinguish this lively guide from any other art dictionary on the market.
Also unique to this volume is the ArtChart, a handy one-page chronological diagram of the groups discussed in the book. In addition, there is a scene-setting timeline of world history and art history from 1848 to 1944, overflowing with invaluable information and illustrated with twenty-four color reproductions.
Students, specialists, and casual art lovers will all find ArtSpoke an essential addition to their reference shelves and a welcome companion on visits to museums and galleries.
About the Author
Robert Atkins, an art historian and writer, is a frequent contributor to Art in America and a former staff columnist for the Village Voice. Atkins is an authority on digital art, queer art and culture, and Chinese contemporary art. He is a pioneering online media producer and a founding member of Visual AIDS, creators of Day With(out) Art and the Red Ribbon. His other books include ArtSpoke and Censoring Culture.
Praise For…
Eagleton has confirmed his standing as second to none among cultural critics writing in the English language today.
— Guardian
Eagleton’s
... wit, his earthy hard-headedness, and razor-sharp style often had me
in stitches ... and how many theorists can make you bust a gut
pondering the arcane terms of poststructuralism?
— Newsday