Description

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Large-scale disasters mobilize heritage professionals to a narrative of heritage-at-risk and a standardized set of processes to counter that risk. Trinidad Rico’s critical ethnography analyzes heritage practices in the aftermath of the tsunami that swamped Banda Aceh, Indonesia, in 2004 and the post-destruction narratives that accompanied it, showing the sociocultural, historical, and political agendas these discourses raise. Countering the typical Western ideology and practice of ameliorating heritage-at-risk were local, post-colonial trajectories that permitted the community to construct its own meaning of heritage. This book

-documents the emergence of local heritage places, practices, and debates countering the globalized versions embraced by the heritage professions;
-offers a critical paradigm for post-destruction planning and practice that incorporates alternative models of heritage;
-will be of value to scholars, professionals, and advanced students in heritage studies, anthropology, geography, and disaster studies.

About the Author

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Trinidad Rico is Assistant Professor of Anthropology at Texas A&M University at Qatar, and Honorary Lecturer at UCL. She holds a PhD in Anthropology from Stanford University, an MA in Cultural and Social Anthropology from Stanford University, an MA in Principles of Conservation from UCL, and a BA in Archaeology and Anthropology from the University of Cambridge. Her areas of research include ethnographic heritage, critical heritage studies and risk, the construction of Islamic materiality, and cosmopolitanism and the vernacularization of discourses and expertise. Her recent work focuses on the construction and operation of vulnerability in cultural heritage discourses and methods in Indonesia, and the mobilization of Islamic values in heritage making in Indonesia and the Arabian Peninsula. She is co-editor of Heritage Keywords: Rhetoric and Redescription in Cultural Heritage (University Press of Colorado, 2015) and Cultural Heritage in the Arabian Peninsula (Ashgate, 2014).