Description

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This collection of essays brings together the first comprehensive study of TV drama in China. Examining in depth the production, distribution and consumption of TV drama, the international team of experts demonstrate why it remains the pre-eminent media form in China. The examples are diverse, highlighting the complexity of producing narrative content in a rapidly changing political and social environment. Genres examined include the revisionist Qing drama, historical and contemporary domestic dramas, anti-corruption dramas, “pink” dramas, Red Classics, stories from the Diaspora, and sit-coms. In addition to genres, the collection explores industry dynamics how TV dramas are marketed and consumed on DVD, and China’s aspirations to export its television drama rights. The book provides an international and cross-cultural perspective with chapters on Taiwanese TV drama in China, the impact of South Korean drama, and trans-border production between the Mainland and Hong Kong.

About the Author

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Ying Zhu is a professor of media culture and coordinator of the Modern China Studies Program at the College of Staten Island, the City University of New York. Michael Keane is an associate professor and senior research fellow at the Australian Research Council Centre of Excellence for Creative Industries and Innovation at Queensland University of Technology. Ruoyun Bai is an assistant professor in the Department of Humanities (Scarborough) and the Centre for Comparative Literature at the University of Toronto.

Praise For…

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“Television drama is the epicenter of Chinese screen culture and this landmark collection provides insightful and wide-ranging reflections on the themes, styles, and social significance of China’s most popular TV shows. Provocative and comprehensive, TV D

“TV drama is the most popular cultural form and institution in China. This anthology provides a timely, focused and comprehensive examination of this very important topic. Insightful in analysis and rich in data, the anthology will make a key reference fo

“A highly intelligent addition to the growing field of television studies in China. Zhu, Keane and Bai are well known for their scholarship and their commitment to developing media studies outside the western sphere. Here, they have brought new and establ

“This volume is a timely addition to the collection of academic books on Chinese television as Chinese TV hits its fiftieth-year mark in September 2008. The expert team of editors and contributors work with a transnational and trans-cultural framework, wh